"The movie business is macabre. Grotesque.
It is a combination of a football game
and a brothel."
-- Federico Fellini
Mar 112019
MARCH 2019

Friday, March 1


“Gives Top Gun a run for its money”
— Richard Yu, Cinema Escapist
Only the second air combat movie in Chinese film history – the first was 2011’s Lock Destination – SKY HUNTER stars Fan Bingbing, China’s most popular actress, as a helicopter pilot in this high-octane military action adventure. Called “a treat for aviation enthusiasts and China watchers,” by Cinema Escapist’s Richard Yu, the film follows the thrilling exploits of the People’s Liberation Army Air Force as they work to defeat a group terrorists and bring down a deadly hostage plot in a film offering special access to aircraft and equipment rarely (if ever) seen in Western films. Li Chen also stars.
Friday, March 8


The best-selling fantasy novel series, “Moribito: Guardian of the Spirit”, comes to rich life in a full 4K adventure drama starring leading Japanese actress Haruka Ayase. Set in an imaginary land resembling ancient Asia, the worlds of spirits and humans intertwine in mysterious ways across four SEASON ONE episodes. The heroine, Balsa, a skilled bodyguard and a masterful spear-wielder, is forced to protect Prince Chagum who’s in danger of being assassinated by his father, King Mikado. Following Balsa’s perilous journey, audiences are propelled into a world of dense forests, spectacular palaces and spirits and demons in a world of adventure being unveiled for the very first time.
Friday, March 15



The second feature film by noted emerging director Kim Tae-yong (Set Me Free, which won the Citizen Critics’ Award at the 2014 Busan Film Festival) and produced by star filmmaker Ryoo Seung-wan (Veteran), MISBEHAVIOR is about a volatile relationship between two female teachers and their male student. Hyo-joo (Ha-neul Kim) is a temporary teacher at a boys’ high school and Hae-yeong (Yu In-yeong) is a fellow teacher who is the school board chairman’s daughter. One day, Hyo-joo witnesses Hae-young locked in a passionate embrace with a Jae-ha, a dance student, and she starts feeling an inexplicable sense of humiliation towards Hae-yeong, while gradually falling under the influence of Jae-ha’s elusive charm. (Korea, 2016, 96 minutes)

MARCH 2019

Friday, March 1
In this parody of the classic tokusatsu series Ultra Man from director Minoru Kawasaki (Kani Goalkeeper, The Rug Cop, The World Sinks Except Japan, The Calamari Wrestler), the famous fictional alien hero Outer Man actually lands in Japan, promising to protect the world from the forces of evil-but he’s got another plan up his iconic latex sleeve, and it’s up to the actors from his TV show to stop him. Yasuhisa Furuhara, Gero, Gen Ichikawa, Yuki Ikushima, Eiichi Kikuchi, and Ryuki Kitaoka star. (Japan, 2016, 82 minutes)
Friday, March 8
One of the earliest pioneers in the now popular maho-shojo (magical girl) genre, CREAMY MAMI, which originally aired on Nippon Television from July 1983 to June 1984, captured anime fans hearts and was a huge hit for Pierrot. Now, MIDNIGHT PULP brings back this all-time anime classic for a new generation!
CREAMY MAMI centers around ordinary 10 year-old girl Yu Morisawa, who is given magical powers by aliens to transform into the beautiful 16-year-old Mami for one year. Quite by accident, Mami ends up becoming an overnight pop-idol sensation as “Creamy Mami”, and Yu quickly finds herself living a kind of double-life as both a 10-year-old school girl and a teen idol, all while interacting with aliens and supernatural beings, fighting with Pathenon Productions top rival stars and being looked after by two cats from the planet Feather Star.
Friday, February 8
“A must-see for anyone brave enough…one of the toughest and most powerful films from Korea”
–Beyond Hollywood.com

“Brutally intense”

— Twitch.com


This acclaimed, award-winning South Korean horror-thriller, a runaway box office smash, premiered at Cannes International Critic’s Week in 2010, where it was nominated for a Golden Camera and Critic’s Week Grand Prize.
Hae-won (Ji Seong-won) is a woman on the edge: a series of incidents at work earn her a forced vacation, but when she travels to a remote island from a childhood visit, at the urgent request of her friend Kim Bok-nam (Yeong-hie Seo), she has no idea what devils of the past are waiting. Moo-do Island is an unpleasant place to visit, and you definitely don t want to live there. Bok-nam is crumbling under a weight of violence, sexual menace, and fear with no means of escaping her tormentors. The vengeful rage that waits inside her is growing, and her sanity shredding. If Hae-won can’t help her escape, she may have to take matters into her own hands, once and for all. (South Korea, 2010, 115 minutes)
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About AsianCrush & Midnight Pulp
Leading Asian streamer, AsianCrush, and Midnight Pulp, which offers an expertly-curated selection of cult programming, are both available on the web, iOS, Android, Roku, Apple TV, Amazon Fire TV, Chromecast and additional platforms, and each features hundreds of streaming titles, with new titles programmed each week. The OTT channels are available to consumers on a freemium model, which they can choose to view for free or with a premium subscription. Registered users can watch videos for free with commercials while premium subscribers can access the entire selection of titles without commercials, in addition to early releases, director’s cuts and exclusive content. Premium subscription pricing starts at $4.99 a month for both channels.
About Digital Media Rights
Based in New York, Digital Media Rights (DMR) is a privately-held digital media and advertising company founded in 2010 by industry veterans Michael Hong and David Chu. As a pioneer in digital distribution, they’ve helped to transform the industry while evolving to specialize in three distinct areas: Digital Distribution, the DMR Advertising Network and OTT Digital Networks.
DMR is one of the largest content aggregators and distributors in the world with a catalog containing over 7,500 premium titles from 250+ partners across leading television networks, studios, producers and sales agents. Their broad distribution footprint includes direct distribution deals with many leading platforms including Amazon Instant Video, Amazon Prime, Hulu, Netflix, Cable VOD, iTunes, Google Play, FandangoNow, Hoopla, Kanopy, Vudu, Smart TVs and many others.
The DMR Advertising Network provides video and display ads via direct sales and programmatic channels across Connected TV, desktop, and mobile. Connecting brands and media buying agencies to relevant audiences across its premium publishers, DMR handles over 500 million ad requests per month globally across all screens, while optimizing ad revenue through its direct relationships with brands, advertising agencies, networks, DSPs, SSPs, and other demand partners.
DMR is also an OTT channel publisher and developer with a suite of five owned and operated over-the-top (OTT) channels that have become leading destinations for their respective genres: AsianCrush (pan-Asian), Midnight Pulp (horror/thriller), Yuyu (general entertainment), Cocoro (kids/family) and KMTV (K-Pop). DMR’s OTT channels are available across multiple platforms and devices such as web, iOS, Android, Roku, Apple TV, Amazon Fire TV, Chromecast, and many leading Smart TVs.
Visit www.digitalmediarights.com for more information.

 Posted by on March 11, 2019  Add comments

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